JohnAbraham.com

Just stumbled upon what appears to be the promotional website of the UTV film (Jhootha Hi Sahi)- JohnAbraham.com...

I quite like the simplicity and the peek into a celeb's life content. In one video John talks about his Tulsi chai(he drinks some 40 cups every day!!)

There is a very simple idea of 'pairing with John' where you can upload your picture and be paired with John:-)

I guess where many brands struggle to understand the conversational nature and playful content of social media, this JA site gets it right...Am bookmarking it for reference...

What's age got to do with it?

In the afternoon today, I got a full primer on PlayStation from Neo(age 6)(who lectures me regularly on mobile and video games, thinks am way behind on the learning curve...) and then a lil later my father(age 65) wanted me to help him install skype!! My younger brother is quite a blogger and a web 2.0 expert!! Quite a digital savvy family balanced only by the combined tech-unsavviness of my mother and mil:-)

As the Internet turns 40, our one preoccupation that all technology products and services will only have the youth as early adopters, practitioners and evangelists will be put to test regularly...Just when I was mulling over these thoughts over a crazily busy fortnite, my planner buddy Meraj sent me this NYT link - Who’s Driving Twitter’s Popularity? Not Teens. Worth a read and some reflection...

Archiving some nuggets from the article..

1. Surprisingly(actually not so surprisingly, if you pause to reflect) many teens in the US(do we have data for India as well?) are not that heavy users of twitter. As one of them says - "I just think it’s weird and I don’t feel like everyone needs to know what I’m doing every second of my life". Well am not teen by a wide margin but have similar thoughts about twitter...

2. Though teenagers fueled the early growth of social networks, today they account for just 14% of MySpace’s users and only 9% of Facebook’s. As the Web grows up, so do its users. The notion that children are essential to a new technology’s success is now proving to be largely a myth.

3. Adults have driven the growth of many perennially popular Web services. YouTube attracted young adults and then senior citizens before teenagers piled on. Blogger’s early user base was adults and LinkedIn has built a successful social network with professionals as its target.

If I look around at my digital habits and behaviour and many of my friends, the digital adoption curve doesn't always co-relate to our age in some simple linear fashion...On the other hand, India will be different because we are crazily young in age and outlook(as far as statistics go).

On another note, this reminds me of my interview with Javed Akhtar in Bombay when he brushed aside all this fanatical obsession of marketers with youth - "Aap logon ne youth ko hauaa bana rakha hai. Youth ko yeh chahiye, youth ko woh chahiye. Arrey saheb, youth ko toh khud he nahin pata ki usko kya chahiye:-)"

Osianama and gymming the mind

Just came out of a four hour brainstorm with a friend. Am helping him start a new creative venture! It has been a serious Sunday so far:-) But starting this week am signing a no-work-on-Sunday bond with myself and then stick to it...Had bookmarked this interview of Neville Tuli yesterday in ET where he was discussing this art show Jashn Osianama in the capital! You may want to browse through the interview here!

Jashn-Osianama — is Tuli’s curating effort and is a new festival for the visual arts which juxtaposes, some of the world’s most refined, subtle and expensive art works with simple artifacts of popular culture; with Japanese Samurai art, Tibetan Thangkas, Rajasthani and Pahari miniatures, vintage world film memorabilia, political propaganda, magic memorabilia, antiquarian and modern photography put alongside modern and contemporary art from the Indian sub-continent.

Most of the stuff that Neville talked I found very interesting. Sharing it with shards of my random thoughts.

1. He focussed on the need to create an 'art space' which everyone feels “is ours”. Intellectual intimidation should not be to a point of making people feel insecure about even entering a space where art is on display.

For a generation which is almost lost in the labyrinth of malls and commercial space, it may not be a relevant question:-) but I guess some body's got to think of the museums and not just the malls!

2. Creativity is a birthright and is a part of every mind but it takes a little effort to trigger this creativity? Viewing opportunities, where prior knowledge is definitely not a pre-requisite are critical. Once that opportunity is grasped, people will slowly begin to realise that a visual is like a piece of text, it needs to be read because it has its own grammar and language. This reading requires learning and education. Since visual is not text and is therefore not equated to knowledge they become an easier form to seduce a newcomer into the art space

It's a fine point. I think I have refrained from entering art spaces on many a occasion because of this intimidation that Neville talks about. That and the self created expectation and pressure of prior knowledge!

3. Tuli believes there is an urgent need to build new institutions to occupy the energy of people, to ensure that their families participate, so that there is no numbing of minds, give opportunities to occupy the mind which is a muscle after all and if not exercised will rust. “There is so much boredom in daily Indian life, edutainment is the new ‘fashion’ word across the world but India has not even begun this process. Right now what is the choice you have? Kambakkht Ishq?

And perhaps we need it the most in 'Kambakkht Gurgaon' where the malls and the 'firang sounding' towers and the ubiquitous theka do not leave any/much space for art spaces for the community!

Bye Bye Mumbai, Hello Delhi

After 6 years of a sort of dream stint in Mumbai, last week I packed my life and belongings in 105 cartons and headed north to Dilli!!

It's been a busy week settling down in Delhi(actually Gurgaon)! One needs planning skills of a different kind getting a new home started...Finally this evening I am connected to the web again thanks to Airtel broadband.

Trying to catch up with the world having missed much of the debate and action around Cannes, the run-up to the budget and Wimbledon!!

While I chug back into the blogosphere, read a nice post recommended by blog-buddy Neil Perkin on Creative Paralysis by Dave Trott. I love collecting stories like this in my head. Here it is...

When Bill Shankly(one of Britain's most successful and respected football managers)managed Liverpool he had a very gifted young striker playing for him. This young star worked hard, trained hard, and studied the game.

In one particular high-pressure match he found himself with the ball at his feet and only the goalkeeper to beat.

He thought about everything he’d learned.

Should he wrong-foot the keeper and go round him?

Should he bend the ball around the keeper into the top corner?

Should he try a power shot and hope the keeper can’t hold it?

Should he hold up the ball so he could lay it off to someone in a better position?

While he hesitated a defender took the ball off him and booted it upfield to the other end of the pitch.

When the young striker eventually came off the pitch, Shankly asked him what had happened.

The striker said he’d been trying to pick his best option.

Shankley said, “Look son, if you ever find yourself with the ball at your feet and just the goalie to beat, stick it in the net and we’ll discuss all your options afterwards.”

I often think advertising is like that.

We’ve got young copywriters and art director getting confused by concentrating on complicated things that aren’t their job.

So they can’t do the simple job they should be doing.

Instead they spend all their time thinking about brand theory, new media, cultural memes, and social latency.

Now maybe brand theory and the all rest has some relevance for planners.

But that’s their role in the team, not ours.

It’s our job to stick the ball in the net.

And that’s simple, or it’s nothing.

Now, I don't follow football at all and I have recently left advertising, but loved this story for it's simple and powerful lesson...

Looking forward to Monday and the start of a new and exciting journey! Must rummage through my notes for some other post ideas.
Neo's Ben 10 overlooks our packed samaan:-)And while I hardly drove my old war-horse Lancer, felt nostalgic about selling it off:-( I was particularly fond of its blue-green-silver colour and the front grille. I don't know why I am sharing it, but I guess it was important to say it one last time! And our new home...actually a small independent house in Gurgaon, quietly redefining my Bombay sense of space!

New Heads for New Hats

Read this post on New Roles in Advertising at Scott Goodson's blog...Am reproducing the 'new heads' with a few comments of mine...

Digital Presence Strategist
This person is a hybrid web strategist with curiosity about new technologies and a familiarity with mobility applications. This is not a media strategist or a technologist.

I have played this role to some extent at Tribal. But then again, a lot more can be done. A lot more conversations need to happen between the agencies and the technology companies. The tech companies are ready and raring to go, the agencies are sadly not...

Let me add the hat of Synthesizer to the list- Last Sunday, was having a chat with my friend Josy(Paul) over breakfast and I did share with him this need for a synthesizer. This guy, has to be a creative strategist who has this ability to both look at things from a helicopter view and also should be able to handle the micro details. But most importantly, he can synthesize the brand idea, the social/ cultural environment and the available new technology to create impactful communication and to engage people. Synthesis skills perhaps need to replace/ augment the traditional planning skills.

Idearator
This is an idea generator who has a legacy in the digital space but is broad enough to come up with ideas that live in all media. This person must play across many disciplines. This role will become increasingly important because the emphasis, the value, and the fundamental business model for agencies has shifted away from a focus predominantly on execution to a focus on ideas.

The way I look at things the art-copy team of the past will gradually get replaced by the Idearator-Synthesizer duo in the future facing agencies!! Of course, in India it's still conceptual. The creative fiefdoms at legacy agencies(and we have mostly those) will stomp the idea in the womb.

Partnership Director
Partnering with ‘best-in-class’ individuals and firms is what enables agencies like StrawberryFrog to leapfrog the traditional legacy corporate agencies. This person’s role is to continuously manage the agency’s partnerships and be able to draw on the world’s best talent, tailored to a client’s specific needs. While all agencies work with outsourced talent in some shape of form (some more openly and overtly than others who hide this fact), this is now becoming a mainstream way of working in the evolving media revolution.

I had written about 'the networking quotient' of employees here. I totally agree with Scott, just like great product/ brand ideas like the ipod evolve an eco-system of ancillary companies, ideas around itself - accessories, itunes, docking stations even massage chairs with ipod holders!! The partnership director must focus on evolving an eco-system of small and big ideas/ products/ marketing around the starting idea.

Social media-whatever
But anyone with any expertise in social media has been important for some time now, and this area of expertise will only keep growing.

I think generally the guys who can translate any piece of communication into conversation will be invaluable.

I was having lunch with Madhu Mantena, the producer of Ghajini, sometime back. And he mentioned that once the movie was ready, he and his team looked at creating a 100 conversation points for the content. And lo we had a 250cr block-buster. Maybe, folks from Bollywood, the avant-garde PR guys and people with large personal and professional networks could be tapped for this role.

Thanks Scott, once again you got me thinking...

Fake IPL Player, Real Conversations

Spent the last 30 minutes browsing through the Fake IPL Player's blog. It's incriminating, it's salacious, it's bawdy gossip at it's best/ worst!

Now whether it's a (a)real fake guy, or (b)a marketing ploy(I hope) or (c)an actual player blogger(rarefied chance), this guy/team knows how to create smutty buzz and generate conversation! Aren't you amazed at his site traffic and the thousands of comments from visitors and followers!

For quite some time, I have been arguing the case for conversation as brand content. But it mostly goes over the head of body-copy-only guys. Well the fake IPL player comes to my rescue.

Here are a few random thoughts which are floating in my little sleepy mind post lunch...

1. Context is Everything. The fake IPL player's blog gives a lot of inspiration to creating engaging alternatives to vapid 'Hilaa Denge', 'Dhikha Denge', 'Bataa Denge' ads on TV. He/she shows how gossip, locker room talk, the management vs. the player jibes can be engaging content as well. Maybe brands like Sprite, Levis, Axe can do more niche social media stuff which can draw lessons from this guy!

2. Don't Control the Conversation.Most Indian brands try to control/ avoid the conversation in the blogosphere/ social media and read too much into the controlled conversation(read FGD). This guy's posts have a thousand plus comments!! Comments by readers, visitors are part of the conversation. They add flavour/ spice to the conversation(even though here it degenerates into uncontrolled bitching:-)

Maybe brands like Mentos, Sprite(again), some of the bike brands(Pulsar for instance) could encourage a more intimate conversation with their niche audiences instead of merely pummeling the great looking, expensive ads. (Okay, I love the Tarsem(?) made Pulsar ad, but after the 13th viewing I now reach out for the remote/ or better still close my eyes. Instead guide me to the making of the ad web-site or the making of the bike(to the more engineering inclined DTSi variety)

3. Celebrity is One Of usWe knew(for some time now)that celebrities are not always on a pedestal. They lost some of their halo when they signed their 10th brand contract:-) But didn't know really that he/she is merely one of us.

The celeb can be reviled(SRK is called Badshah Dildo on this guy's blog- now how worse can it get from here). In contrast,the big brands largely treat celebs in an anachronistically sugar-coated way replete with a fake smile, fake swagger and fake talk!!

And the funny thing I feel is that all this bad talk and gossip from blogs like these won't really harm the celebs. But they will just make the Dish TV, Hyundai and sundry other badly made fake-talk-fake-smile ads even more boring for some of us!!

Celeb bashing might be more interesting than celeb grovelling!!

Well hats off to the fake IPL player and his blog!. You are giving us all real-time lessons in generating conversation(even though it's smutty). We need more brave brands and a mutant strain of journo-copy-writer-gossip-columnist to perfect this art for Indian brands.

Good Tea & the Future The Way We Want It To Be

Just finished my second cup of well-made Darjeeling tea in my favourite white cup! Ah the small pleasures of life...Getting ready for a long day of book research and writing after a two week hiatus...

Had read this post by Scott Goodson, the Strawberry Frog CEO on the different agency models and the need for extreme agility and adaptability among agencies in times of recession/ slowdown. You can read it here...

It also got me thinking about the need to adapt as a worker-ant/ employee/ networked knowledge worker/ creative portfolio worker...Thots not exactly in order...

1. The department must die. I feel the rate of our contribution dramatically increases with our ability to collaborate across the blurring boundaries of department. I am talking strategy, creative, servicing, digital media, OOH, research, brand identity...Though there are no visible signs of 'the department' dying in an Indian agency any time in the near future. Long live the fiefdoms!!

2. Employee NetworksThe agile companies must respect, use and reward employee networks. At 437 LinkedIn connections, I am perhaps a little more useful than I was a year back:-)This is a social network. But it's also a knowledge and personal network that can do great stuff together, solve issues, share experiences. Suddenly, the sum of all these employee networks can become a potent force for the small agile company!

3. Portfolio Working. I had been wanting to do it ever since I first read about the concept in Charles Handys' book - the empty raincoat! As we increasingly get hurtled into the ever closely knit creative-knowledge economy, opportunities to do portfolio work(not just for pure creatives) but everyone has risen through the roof...

4. Make New ConnectionsWhile the economy has slowed down dramatically, the potential to make new business connections has never been greater.

Take 1 jar of open mindedness and enthusiasm + add a full saucer of environment scanning + heat it a little + shake it with new thinking + add 1 table spoon of new ideas and approaches and hey you have a new business idea or model or new portfolio friends...

eg. A specialised Bollywood/ A/V content Marketing Agency*, Youth Marketing Company, Personal Branding Consultancy, Low cost SOHO brand building packages(this one came as of yesterday as I was approached by a London based company for a guest blog post)

Gmail, LinkedIn, Skype ensure that this souffle comes for FREE!!

5. Re-skillingMost of us(all of us) sit on a few kilos of unused talent. A minor re-skilling can polish up those and can be gainfully employed in a portfolio way. In the past 3 months or so, at a personal level, I have discovered that I could be a trainer, executive coach, youth/ culture/ Bollywood film marketer...It's just that we sit on our asses waiting for things to happen(at least that was my case) Whereas the environment is right for re-skilling and creating new revenue models(both for the company and personal)...

6. The Un-Company ManWhen I was looking for a job two years back, a very senior media person(ality) said that I wasn't much of a company man(the spirit of the remark was a wee bit pejorative)...However, if we look at the debris of corporate America and the loss of jobs closer home, the company as the sole provider of financial security and stability no longer exists. It's both a scary and a liberating thought. In fact now may be the best time to finally come out of the life long shackles of the COMPANY.

The company will definitely exist; but that will no longer be the sole/ desired work model. Like I said, (a) portfolio working, (b) greater degree of employee entrepreneurship, (c) company as a employee collective, (d) virtual creative/knowledge worker networks and more are/ will emerge stronger...

I feel the time, the tools and the environment is just right to create the future the way we want it to be!!

Firaaq -Kuch Der Se Hi Sahi

I saw Nandita Das's Firaaq about 10 days back, in a rather empty theater. It is not often that one is numbed by a movie these days. But Firaaq made me quiet for the day. I was overwhelmed by the way the movie captured the tension, fear, the violence and the psychological scars of a city...

There were many thoughts that traversed in my mind that day - sad, poignant, disturbing images, lingering anger. And yet like most bogged-down-by-personal-livelihood-problems men, I carried on the week. Often a fleeting image from the movie would cross my mind...

I would pause for a moment and then go back to the pressing personal crusade...Yet once again this morning images from Firaaq came to haunt me as I read a powerful write-up on Firaaq by Shoma Chaudhury in Tehelka...

Shoma captures the film, the reason why civilised society must never forget the Gujarat riots and the apathetic unconcern of people like us evocatively here. Do read it even if you haven't seen the movie.

And notes to myself from Shoma's article...
- OF THE many crises of our age, the most helpless perhaps, are the crises of word and image. Bludgeoned in ways it’s never been before by an excess of information — the entire compact of sight, sound, emotion — the human race has not just become inured, it seeks inurement. Obliteration. When everyone is desperately seeking inurement, how is one to evoke? All the old descriptions are dead. “Awesome” is no longer something terrifying or aweinspiring; it is just a good ice-cream.

Into this opacity of meaning, occasionally, something slips. Briefly breaching our fortifications. Briefly triggering a healing disquiet in our being. Nandita Das’ directorial debut, Firaaq is such a moment. To say something new about the horror of Gujarat 2002 is almost impossible, to evoke empathy for it is heroic. But Firaaq does that.

- Emotionally taut, self-assured, pared, Firaaq is a searing exploration of subterranean poisons unleashed by Gujarat 2002. Guilt, rage, self-hatred, suspicion, the brutalisation of survivors — Nandita reminds us that the legacy of violence is more dangerous than violence itself. In one of the film’s most disturbing moments, the little boy in search of his father smacks an ant dead with sudden force. “Maar diya sale ko,” he says with unexpected vehemence. He has borne witness to vast and tiny cruelties. Now, he is a premonition of a new generation.

- Says Nandita Das - "I wanted to take small ordinary incidents so that people who watched could not hide from themselves by saying, ‘Oh I would never do this kind of thing’.” Among other things, this is what gives Firaaq its disturbing charge. It reminds you it is not just the 2,000 dead that makes Gujarat such an indelible rupture in our national life (though that ought to be reason enough). What makes it indelible is that the riots were just the most horrific face of a prejudice that runs much wider beneath the skin.

- For all this, Firaaq should have been a moment of great gratification for Nandita. A moment of recognition and animated discussion. Instead, this quiet, thoughtful gem of a film has come unheralded into our multiplexes. In all probability, it will slide unnoticed out next week. The director’s great conviction is unmatched by her producers. This shameful neglect is just one of the many creeping crises of our time.

Walk the Talk with Salim Khan

Last Sunday after a long time was taking a morning walk on the Bandstand promenade. Halfway through the walk, my wife spotted the celebrity script-writer of yester years Salim Khan(Salman's father) walking towards us.

I gathered myself to speak to the legendary Salim Khan of the Salim-Javed fame. Over the next 10 odd minutes, I could mentally jot the following nuggets which am sure to weave someplace into my brands and Bollywood book.

1. He was particularly peeved at the media-grabbing attention seeking lifestyles of the newer writers and directors...Said he - "Ab Ashutosh ko hi le lijiye. Achchi film banayi, par aajkal jyada waqt ribbon kaatne mein ya TV pe discussion karne mein nikaal deta hai". "Main maanata hoon ki Art is nurtured in isolation and exhibited in public".

2. Salim saheb had watched Chandni Chowk to China the previous evening with his friends and was still reeling under it's effect:-) He blasted the writer..."Ab Bollywood story likhna koi atom bomb banane jaisa nahin hai, phir bhi aaj kal ke writer mein woh sensibility nahin hai aam zindagi ko capture karne ki".

3. Writer ko patience chahiye. Bolye kam, suniye jyada...

By this time we had walked off to one end of the premenade. He then started reminiscing about his younger days, his love for fast cars and a fast life. How Salman recently gifted him a Triumph 500. What made "mere pass ma hai" work the magic and get into popular culture.

He was sweet enough to give me his ghar ka number. So maybe a chai with Salim Khan may soon happen...As I pen this post, the vortex of a thought seizes me - "Maybe one should never meet the legends and the greats once they are past their prime. Because reality may end up diluting the myth in the mind!"

Aamir - the blogger Khan

There is a sliver of a chance that I may get to meet Aamir(Khan) for my book. One of my close friends has promised. Maybe post the release of Ghajini...

So, while I keep my fingers crossed, I also decided to google all his interviews and other facts and trivia. He is a meticulous man I gather and I better be prepared.

And so I spent about an hour on his blog yesterday. I had stayed away from these celeb blogs earlier because in my own mind I just couldn't reconcile the Bollywood stars(so used to fame and manipulating mass media) with the simple, democratic and conversational act of blogging.

But alas I was wrong as far as Aamir's blog is concerned. This khan gets it. I mean he really gets blogging!! While many of my clients and few of my digital savvy colleagues(from past and present)still don't get it:-)

1. The posts are written exactly in the manner one would imagine Aamir to talk in say an interview.

2. The posts sound real. He talks about his anger and helplessness at the Mumbai blasts. How he felt screening TZP in Seattle for the IDA (International Dyslexia Association). Even the fact that he couldn't sleep one night because of ants in his bed:-)

Now this isn't rocket science. The being real part. But brands and brand managers seldom get it right.

3. It's okay to make mistakes.Blog posts are never meant to be perfectly crafted messages. Often they are random thoughts. They are the first opinions. They are amateurish. They might reveal mistakes and flaws. They can have spelling errors. Aamir's posts have spellos. He even spells the movie Memento as Momento and later acknowledges the error:-) Brands too must learn and adopt this degree of humanness when they want to converse through the medium of social media. It is more important to be human and share honest feelings than to be correct and share dessicated facts...

4. Inviting feedback. Bollywood stars or any stars for that matter have largely communicated from a pedestal. That's part of their mystique. Yet when one blogs one has to be receptive to feedback. From the commoner. The audience of One. Aamir does. Even the micro-feedback of giving indents in his paragraphs for better readability:-)

5. Contextual. Again brands arrogantly assume their primacy all the time. That they are the centre of the universe/ conversation. Whereas when you blog(the general sort of blog), context is everything. The content is a variegated play of life, your work, the important and the trivial thoughts...Again, I have found it difficult for clients and their brands to appreciate the context when it comes to any form of social media.

So, if nothing else, star bloggers like Aamir can teach marketers how to converse with their audience. One on one...

However, on the content front, I was largely disappointed. I don't think he has articulated his thoughts as well as he acts in his movies:-)( on the basis of the 4-5 posts that I read randomly...)

You may want to read a few of his posts - 'Sleepless in Seattle', 'It's a bird, it's a plane' - by Abbas Tyrewala, 'Ghajini'...Ah, you will will have to register and then log on...a bit annoying!

Burrowing in the Book : Talking Films

After a week of mild depression(triggered more by 24X7 TV news, screeching Barkha, over-bearing Arnab and high-strung Rajdeep than the terror attack itself), like the rest of the city I have got back to work in almost full steam. Both at the day job and in my role as the week-end writer:-)

On my book front - All the googled information in the world is of no use, unless one is able to crystallise an argument. And that's a bloody difficult task, especially if you have to do it over 200 pages!!

Moreover, am struggling to find meaningful articles on Bollywood. Either frivolous actor interviews/ film reviews float on the internet or there are these academics who dwell upon such arcane themes around Bollywood with so much academic mumbo-jumbo that's it's of no real help!!

Within such constraints, one voice that has guided me in the past and continues to do so now is that of Javed(Akhtar) saheb...Right from his book Talking Films - Conversations on Indian Cinema compiled by Guru Dutt's niece - Nasreen Munni Kabir to his many interviews, Javed saab shares his nuggets on Bollywood...If only I could get some quality time with him and soon...

Stumbled upon this interview of at Glamsham.com. This one's okay...with a few worth a bookmark comments!

1.Are you convinced about remaking films like SHOLAY and DON? Please don't be politically correct just because Farhan has remade DON.
Let me tell you the backdrop of the original DON. That will help you get your answer. DON suffered despite an interesting script since it was made on a shoestring budget. Producer Nariman Ali could, somehow, complete the film. The remaking was justified as the film deserved it. As for SHOLAY, I don't think there is any scope or need for improvisation in the film. There is nothing new or original that one can add to the film. It's all there.

2.When are you directing a film?
Writing is an addiction and once you get addicted to it; it is very difficult to concentrate in other things. It makes you lazy and no job seems more interesting than writing. Often I think I will do this and that but ultimately land up with my pen and paper. I am too lazy to make films.

3.There is always a critical comparison between your and Gulzar's poetry. Would you like to comment on this?
I respect Gulzarsaab a lot. He is a true icon. So it will be unfair to comment on his poetry. But I can talk of my art form. I have always aimed at making poetry understandable even to a person who does not have the remotest idea of the art. If I can't communicate my lines to people what's the use of making it public? Some poets don't realize that. They go on writing abstract poetry and say they don't care if people understand them or not. Ambiguity forbids simple expression. This is definitely not my genre.

4.After spending over 30 years as a lyrics writer I am sure words reside at your pen-tip. Isn't it?
Now-a-days I don't have to try hard to fit in the words to the music. But that doesn't mean that I don't have to do my homework regularly. I have my own set of vocabulary that needs to be upgraded every day.

You can read some nice excerpts from the book Talking Films here...

So, what do we do Mumbai!!!

Now, that the last of the terrorists have been gunned down and the 50+ hour ordeal is over(well not for the families of those killed and injured), there is a deep sense of anguish and anger that can be sensed in the city...

24X7 televised terror is more scary than one without the TV. To that extent, I don't know whether it's a good thing or bad. As I pull myself together from the shock at the periphery, within the warmth and comfort of my family...I chanced upon this piece written by Suketu Mehta in NYT here. Worth a read!!

Says Suketu - 1. In other cities, if there’s an explosion, people run away from it. In Mumbai, people run toward it — to help. Greater Mumbai takes in a million new residents a year. This is the problem, say the nativists. The city is just too hospitable. You let them in, and they break your heart.

2. The best answer to the terrorists is to dream bigger, make even more money, and visit Mumbai more than ever. Dream not just of Bollywood stars but of clean running water, humane mass transit, better toilets, a responsive government. Make a killing not in God’s name but in the stock market, and then turn up the forbidden music and dance; work hard and party harder.

3. If the rest of the world wants to help, it should run toward the explosion. It should fly to Mumbai, and spend money. Where else are you going to be safe? New York? London? Madrid?

4. So I’m booking flights to Mumbai. I’m going to go get a beer at the Leopold, stroll over to the Taj for samosas at the Sea Lounge, and watch a Bollywood movie at the Metro. Stimulus doesn’t have to be just economic.

I guess he is right. We must not run away from saving people...We must give our blood to Bombay and not just stop after fwding smses and wearing black!! We have to get back to work and slog harder as if nothing happened...And we must actually vote(this time)good men/women into power who can protect the city better and not just be TV citizens and armchair voters!

You just can't derail this city for more than 48 hours. Bombay is wired differently. It just is...

Interviewing Alex Bogusky : From Boulder On Bollywood

On Friday I finally managed to speak to Alex Bogusky - the rock star creative head and chairman of the US ad agency Crispin Porter Bogusky(CP+B) for my 'Bollywood and Branding book...

1. I had found some similarity in how Alex approaches work and the way a part of Bollywood thinks.

2. While over the years I have done my fair share of interviewing consumers in numerous focus groups, but interviewing the head of the edgiest ad agency in America made me a lil conscious...

3. An hour before the interview I changed my questionnaire...After going through many of his interviews on the net.

4. Here's a sample of what I asked Alex - (a)It seems till now advertising and branding has had a formula, a plan, a roadmap but going ahead with the infinite touch points that we have created will branding become pure art?

(b) I have read you saying that your agency's basic philosophy is to take a brand and make it famous. Does this principle apply to all brands?
Can the average soap brand also stand a chance of becoming a mini celebrity? What's the process like?

(c)Is surprise the new consistency?

(d)In this age of 24X7 global connectivity, and the fact that digital creatives like the BMW films have an infinite life will the size of the media budget cease to matter?

(e)How do you plan ( Burger King, VW) to lead the conversation in a category,in the culture?

(f)Tell me something about your strategic planning department? With sociologists, anthropologists and investigative journalists.

and a few other Qs...

5. It was supposed to be a 30 min interview but Alex gave me about 50...spoke like a clairvoyant with humility and brilliance.

6. One of the things I have often wondered about is the extreme elasticity of the Bollywood stars - SRK for example endorses close to 25 brands - from the sasta Nav Ratan Tel to Tag Heuer yet we don't have any problems understanding him. He/ Aamir/ Amitabh still manage to give meaning and stability to brands.

What I never figured out how they manage to do this so effortlessly. And I deal this in one of the chapters in our book.

Alex had an interesting take - he said people take ingredients from brands not consume/ believe the whole of most brands. So, under this ingredient theory, the 30brand SRK is easier to understand.

7. We talked of Paris Hilton, the return of the 30sec commercial and the changed role of mass media...

8. I liked both the sound of the questions and the texture of his answers...It was a thrilling experience.

Next on the list : Balki!!

Roadshow Romeo : 5 1/2 Thoughts

Didn't really think could get around to doing a post during Diwali break. But here I am...typing hard on the clanky keyboard while Neo sleeps...

1. Saw Roadside Romeo yesterday - Neo, his mama and myself in a theatre in Patna called Ashok - Rajdhani Ka Gaurav. It's a 59 year old theatre that doesn't hide it's age. Musty, somewhat smelly but full of happy memories from my childhood!!

2. You can read a quick review by Subhash K Jha here...

3. I enjoyed the movie and so did Neo. Though not sure, who liked it more...LOL. Technically, (with my limited exposure) I feel it's perhaps the best made Indian animation fillum till date. The Disney magic touch is definitely there. And the arranged marriage between Yash Raj films and Disney has worked!!

4. Though it's a bit difficult to slot the movie for any particular age-group. It's needlessly romantic/ syrupy for a kiddy film. 5 year old Neo was yawning through the second half...Too simplistic and linear for the movie buff. Too Bollywood for the animation purist. But I guess this is the first of a new wave. The Bollywood effect on animated movies has just begun. Maybe this is how Bollywood could enter the global movie market.

5. Javed Jaffrey as Charlie Anna is just too good. His seasoned voice brings great vigour and vivacity to the slum-lord's role!! Maybe there is life beyond the movie for Charlie Anna.

51/2. Neo has declared he will watch it again on VCD, so there you are - the TG has given a thumbs up! But the Rajdhaani Ka Gaurav didn't have pop-corn(Unpardonable)!!!

Sunday, The Book and Javed Saheb's Angst

It has been a very busy and hard working Sunday. I am now in week 4 of writing my book - broadly around the theme - 'New Marketing learns from Bollywood'...

Writing a book does demand a very different level of conviction and attention. I thought my 2 years of blogging would be discipline enough but the book is a totally different monster...

Just managed to browse through the papers. Read this view-point piece on 'Terrorism and the Muslim community' by Javed Akhtar...

The problem of our times is that the best and the most learned and talented are silo-ing themselves from the real India - the angry, festering with violence(mostly engineered) India. So a departure from the normal rants on media and advertising...

Javed Saheb's angst ridden voice on 'Terrorism and the Muslim' in this DNA piece here made me restless...

1.'Muslims only get toothless commissions’ - Whenever they are killed, raped or burnt alive or their property destroyed, all they get is a commission which sits on the case for years, and ultimately gives a report. It may indict some people, but the report eventually finds its way into the dustbin.

2. You don’t have to be Sherlock Holmes to figure that the VHP and Bajrang Dal are behind the church attacks in Orissa and Mangalore, but somehow this is not discussed. After all, this is also terrorism.

3. I recently heard a TV anchor ask someone if it was time for the Muslim community to do some introspection. This is a loaded question, even if it was not intended that way. It suggests that the Muslim community is, in fact, responsible for the various acts of terrorism its members have been accused of. Would you say that since the Bajrang Dal is burning churches, the Hindu community should do some introspection? I won’t ever say that because I don’t believe that the Hindu community as a whole should have to bear the responsibility for the actions of some of its members.

4. In our country, ‘Terrorist’ seems to be a word reserved exclusively for Muslims. Those indulging in unrest from the border of Nepal to Andhra Pradesh are naxalites; in the Northeast they are insurgents. And in the case of the Bajrang Dal and VHP, they are ‘social activists’.

Couldn't agree with you more Javed Saheb. But we need many more angry poets and angry common men/ women in this country...

Bluetooth, Bollywood Aur Bihar

There is so much happening around. Yesterday, was trying to get our Bluetooth bus-shelter up and running and then even ended up writing an article on Bluetooth Marketing...You can read it here...

This morning after a late start with some simulated fight sequences with my son, Neo came to the office to plug in few hours on my 'New Marketing and Bollywood' book. The blank page is scary...

As I was searching the web, came across Shekhar Kapur's post on Bihar Floods : Do we treat Bihar as a lost cause?

Actually my wife collected a whole lot of clothes and some money for the flood affected. She got in touch with an organisation called DoctorsForYou!!

Somewhere, Shekhar is right. There was more hype around the Arushi murder case in organised media than when 2 million people get affected in perhaps India's worst natural calamity!!

25 Years of a Cult Classic

After finishing my usual dose of 4 newspapers this Sunday morning in under 30 minutes I was absorbed into the latest issue of Tehelka!

Read an engaging write-up by Naseer on Jaane Bhi Do Yaaro!! It completes 25 years! It may be a cult film today. Back then, during the making of the movie, Naseer says it was insanity. Read the complete article here as Naseer looks back on the gritty elation of Jaane Bhi Do Yaaro...

Jotting down a few lines that stuck...

1. In those days, the titles of films were not identified by abbreviations, we just called it “this f—-ing film we’re shooting now”. It was the pre-monsoon summer, the locations were the streets of Bombay...

2. The script of Jaane Bhi Do Yaaro seemed to have been revealed to Kundan Shah in an inspired moment of transcendental, if not downright hallucinogenic, lunacy. I had never read or seen anything like it at the time, and while I was not absolutely sure that it was even coherent, I itched to have a crack at it.

3. THE FILM was not an immediate success, but over time it has come to have a sort of cult reputation. I think it has struck a chord with audiences because of the unassuming way in which it speaks of corruption and the struggle of the underdog. None of these themes were novel, but Jaane Bhi Do Yaaro’s off-centre presentation caught people’s fancy.

4. What is not funny, however, is the question of why Kundan can’t follow it up. Talk has been rife for too long about a sequel. Only the man himself can answer why it hasn’t happened. And he’s not telling, but I think what he’s not telling is that to be able to generate that extreme and that intense an energy from that many participants takes some doing: it’s tough to summon that adrenaline on demand.

5. For those touched by it, the memory is goose-pimply, it causes sweat to break out on the brow, the blood to rush to the temples and the knuckles to go white. So actually, instead of vainly hoping for a sequel, let’s just give thanks that this one actually happened.
(From Tehelka Magazine, Vol 5, Issue 34, Dated Aug 30, 2008)

Made me want desperately to watch Jaane Bhi Do Yaaro yet again and soonest...

Phoonk and Ramu's Marketing Stunt

I love Ram Gopal Varma for his crazy and scary movies!! Though I couldn't muster enough courage to see RGVK Aag(came back from the ticket counter:-)

I was not aware of this movie promotion for Phoonk! My planner, Sonal just pointed out! Apparently Ramu is going to give 5 lacs to the person who watches the entire movie all alone in the theatre!!

Some of the rules for the contest are: (1) The film will have to be seen from start to finish, without an interval.(2) No cell phones will be allowed inside the theatre, which will be fitted with cameras to monitor the contestant.

Read the details here...

That's some kick-ass marketing idea!! You can see the Phoonk Trailer here...And Phoonk's officla web-site is here...

That reminds me I worked on the online strategy plan for Farhan's Rock On earlier this month...But it's gathering dust at the moment(the plan that is:-)

Cricketainment : T20 Ishtyle

Reams have already been written on the T20 and its effects, implications and the aftermath...

Just thot shud do some tukbandi to add to the noise/ fun:-)

Yahaan cricket hai kum, entertainment hai plenty
Welcome to the BRAND new world of twenty twenty.

Alag alag team mein saare favourite star
Kisko cheer karen, kiska karun intezaar?

Ekta Kapoor ko laga hai gehra jhatka
Finally KSBKBT ka TRP hai atka!!

Dada aur SRK har din naya episode dikhayenge
T20 malik ab dressing room mein bhi jaayenge!

Bechara Charu Sharma, ho gaya raato-raat sack
Mallaya Saheb ka kehna - nahin tha business ka usko knack!

Sony ki dabi kismet, bahut din baad jaagi
10 sec ke 10 lakh, Sony ne ab maangi!!

T20 ka mausam itna ho gaya hai cool
Ki inflation ki maar bhi log gaye hain bhool!!

Cricket, entertainment, marketing ka yeh hai naya 'achaar'(pickle)
Pata nahin agle mahine se hum kya karenge yaar:-)

Great Indian Brand : Chandamama

Was returning from a client meet few days back when I noticed Chandamama on the pavement! Brought back childhood yaadein - Slouched on the bed and reading vikram aur betaal:-)

Picked it up for Neo. He was happy for precisely 5 seconds and then tossed it aside. Must read a story to him one of these days!!

Chandamama is turning 60 and digital. Check out this iconic Indian brand's web-site here...

You may wish to read a related story on HT here...

At retirement age, the once-fading title is poised to reinvent itself with an upgraded Web presence featuring interactive games and puzzles, downloadable wallpapers for cellphones and programmes on Worldspace radio!!

As a book, Chandamama has seen a revival too, going up to four lakh readers from 1.3 lakh in six months. To toast it, a 96-page comic book will hit the stands every four months from April 21.